For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.
For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.
For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.
For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.
For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.
For Oliver Bazeley, drawing counterbalances the sculptural work. Where the sculpture proceeds through accumulation, drawing attends to what stays latent, recording presence through the absence of mass.
The drawings emerge not from a desire to articulate but from the need to stay with: with a gesture, with a condition, with something unresolved. That need adapts through the process of making, forming a narrative by reactive impulse. What is formed through line or mark is not the illustration of a thing in space but a convergence of staggered traces of thought.
They unfold slowly, asking for attention. For Bazeley this is parallel thinking: drawing keeps the object in motion.